Young Lust Box Set Volume #1

Released by: Alpha Blue Archives
Released in: 2006
Director: Various
Cast: Various
Year: Various

The Movies:

The first of (so far) four boxed sets of vintage smut that deal with the taboo subjects of incest and 'young' girls (though most of the ladies who appear throughout are at least in their twenties, sometimes obviously even older than that), Alpha Blue Archives' Young Lust Box Set Volume #1 features ten complete features and twelve loops (thirteen if you include the one that is over before it starts) of trashy, trashy seventies sex movies most of which appear to be pretty obscure. Here's a look at the contents of the set...

DISC ONE:

THE LOOPS:

The first disc in the set starts thing off with a nice assortment of 8mm loops. Unfortunately there's no menu for these loops, it's really only a play all feature but here's a look at what you'll find:

LOOP #1 (19 Minutes)

A man named Clarence talks (he sounds like Woody Allen) to his unshaven chain-smoking psychiatrist about the guilt he feels for having impure thoughts about his daughter as she blossoms into womanhood. It seems he spied on her as she had a tryst with an equally pretty friend of hers. From there we see him spy on the two as they kiss and eventually engage in lesbian sex on her bed. He spills his guts some more to Dr. Smokeystubble and we find out that he had to interrupt them and 'straighten this matter out.' He confronts the two of them in the midst of their passion and soon enough he's spanking his daughter for calling him an asshole. From here he gets extra creepy and trash talks the girls as he makes his daughter go down on him while her friend diddles herself and an incestuous three-way breaks out. For shame! He tells his shrink how much he liked it, and the good doctor tells him there's nothing wrong with what he did, and if he enjoyed it he should do it.

LOOP #2 (9 Minutes)

The second loop is silent save for some disco music that ABA has put overtop of the film. We peek through a keyhole with the camera and spy on to men with stockings over their faces raping a girl in a schoolgirl dress on a fancy bed where they lay with her dolls. As they start to have their way with her she starts to get into it and is soon just as enthusiastic as her two captors.

LOOP #3 (7 Minutes)

Another silent loops with some seventies rock music over top (it sounds kind of like The Scorpions!) starts with an out of focus shot that shows us a girl in pigtails with an 86 shirt on walking up to a man with a boner. She gobbles him down, and soon he's doing her from behind while she sucks her thumb. The heavier the action gets the more she seems to enjoy herself.

LOOP #4 (6 Minutes)

When this one starts (silent, with the same song still playing from the last loop) an older black dude in glasses is taking down the skirt of a lovely young white chick with braces. He goes down then she follows suit and soon enough he bones her as the music changes to disco. He finishes in her mouth then we see her clothed and hitting the books once more.

LOOP #5 (8 Minutes)

This loop, again with music over top, actually starts with a primitive title card that reads The Child Molester which means we're probably in for good clean fun. A creepy smoking guy dressed like a reject from a blaxsploitation movie (except he looks kind of like Joe Spinnell) picks up a girl licking a lollipop as 'Set Me Free, Little Girl' plays over top. He takes her back to his place and gets her high on weed. Once she's baked, he gets her naked and has his way with her after she shows him some solo action.

LOOP #6 (10 Minutes)

Loop number six actually has live sound, as we see two girls, who tell us they're fifteen going on sixteen and almost eighteen years old respectively. They talk about how they want to 'hit the road and live,' and after they talk about how it's really hard for them to behave and talk about the couple who runs the boarding house a bit, the older girl invites the younger one out with her and her friends. Cut to the next day and cue the overblown saxophone music as the older girl gets it on with some dude who lives in the house (possibly the man in charge). From there she heads back to her room and shows the younger girl how to use a dildo. They both try out the toy, and as the younger girl starts getting into it an older woman walks in and busts her at which point it abruptly ends making one wonder if this was part of a longer feature.

LOOP #7 (7 Minutes)

Holy crap, this one (with live sound) starts off with a clown at a party entertaining some teenage girls where he tells the girls he's going to hide in the bushes and that the first girl to find him gets a big surprise. The girls cover their eyes and he runs off, and after they count to ten they go look for him. One of the girls, Valerie, finds him while she's eating watermelon. He tells her to open her mouth and close her eyes and he puts his wang in her mouth. They get it on, he keeps the clown make up on the entire time which doesn't do a good job of hiding his massive sideburns. The other girls are still looking for him while he's doing Valerie, and of course after he pulls out and finishes they realize that they've been watched by the other girls the entire time.

LOOP #8 (8 Minutes)

This one is titled Mother And Son and it's another classy title shot without sound and presented here set to some soothing guitar playing. A family sits around the table having breakfast and dad kisses mom goodbye, presumably to head off to work for the day. Mom heads up stairs to get dressed and the son watches her through the keyhole and pulls it. Soon he can't take it anymore and he walks in on mom who is only too happy to see him and take care of his problem. It ends with a facial.

LOOP #9 (2 Minutes)

Loop number nine starts with a film projector firing up, and soon we see the title painted on the side of a barn - Ass. There are actually credits here but the faded print is really washed out and they are hard to read. Cut to a cute girl in the barn shoveling something and all of a sudden it just ends. Next!

LOOP #10 (14 Minutes)

This one is titled Equal To Mummy and it's a black and white silent loop with Led Zeppelin's Dazed And Confused playing over top of it! A man sits on the couch drinking whiskey and he decides to slap his lady around. He hits her, their daughter cries, and he enjoys a smoke. The lady leaves and he kicks her in the ass and the daughter comes over and brings him a drink. The booze kicks in fast and soon his got his fingers in the fur, starring into the camera with a creepy gaze. Before you know it, a humpin' they do go as Plant's vocals get frenzied over the big finale which ends with some rather expertly applied oral.

LOOP #11 (15 Minutes)

No title card for this one but it does have dialogue. A scantily clad daughter comes up to her dad to show him some old pictures from when mom was alive. He tells her she should be in bed but soon they look at the pictures together. She starts cuddling him and he asks her if she's maybe a little too old to be doing that with him. They debate it, he tells her to go to bed so she can get ready for school tomorrow, and she does. He goes off to talk to his shrink and they discuss his problem with young girls and how he likes to 'do things with them.' Back at the house after the appointment, the daughter is diddling herself while in the room next door dad is taking care of business himself. Soon enough he comes into her room, she sees his state, and takes matters into her own hands (and mouth, and... you get the picture).

LOOP #12 (6 Minutes)

Two girls introduce themselves to an older guy in a wheelchair named Rodney, who runs the boarding house where they'll be staying. The younger of the two girls, Valerie, takes Rodney for a walk and once they get back to the house she does a strip tease for him. Later she brings her dad back to the house. He's come to visit, and soon they're going at it like rabbits. A lady walks in on them and it ends. It looks like this scene was taken from the same source as Loop #6.

LOOP #13 (6 Minutes)

This one is silent as we see a girl do her make up then go down on the guy on the bed. She takes her time with the job, as the disco plays overtop, but soon enough she wants more and she hops on top of him for awhile before finishing him off the same way she started.

TEENAGE RUNAWAY (53m. Dianne Galke, Patricia Lee, Joey Silvera, Jon Seeman):

The first disc in this set also contains a feature film alongside the selection of loops called Teenage Runaway. After a shot of the San Francisco bridge a young blonde (Dianne Galke of Hardgore) does her hair in front of the mirror sans clothes. She moves into the bedroom and talks with her man about how they need to get their acts together and how they need to do it, which is exactly what they do as she blows him once she opens up the curtains to let some light into the room to the sounds of some lounge music.

Cut to the gal sitting in the living room reading, and a Viacomm Cable Vision of San Francisco advertisement plays over top of the movie. Odd. Her man comes into the room and tells her she doesn't turn him on any more and that she needs to leave - when he comes back from vacation, she needs to be gone. She leaves immediately hits the streets of San Francisco on her own. She gets a hotel room and a bottle of whiskey and drowns her sorrows. She wanders around the city a bit and winds up in a dark alley where she has a smoke (it could be a doobie) with some dude. There's no dialogue but she makes eyes at him they start kissing. Soon enough he goes down her and then he takes her for a ride in his car. Cut to a group of beatniks out in the hills getting drunk, one of whom is Joey Silvera, and our heroine appears. Seems she got lost. They give her a drink and she leads them on a chase through the woods. Silvera and one of the other guys catch her and rape her, though to their credit she doesn't exactly protest too much.

After they're done she wanders around and finds a house by a lake near an old factory. A woman comes out (Patricia Lee) and finds her there, and takes her inside so she doesn't get cold. They chat and it turn out that Lee hangs out to 'take care of the fellas.' Soon the fellas show up and of course, they're the rapists. Silvera and Lee get it on, and after that Lee takes on one of the other guys. Lee finishes up and goes out to look for Galke and finds her sitting at the shore contemplating going home. They have a heart to heart, and Lee tries to talk her into staying but Galke has to find her way home. Lee goes inside and has sex with a black dude who looks like Ron O'Neal from Super Fly. When that scenes over we see Galke in only a flimsy dress running from the house and into the foggy forest with Lee looking on.

DISC TWO:

MY SECRET LIFE (59m. Sandy Carey, Orita DeChadwich):

Disc two starts off with this adaptation of a book called Me Secret Life according to the title card and it was directed by a P. Talbot Drummer. Dig the odd little cartoon intro! It starts with a man named Sir Walter narrating the opening scene and speaking to how it is to be a true history of his over indulgence of the female form. In short, he's a horny man who likes the ladies. We see him in his bedroom watching a buxom redhead undress in front of him though it takes her a while to get out of her Victorian era outfit. Once she's undressed he gets her into bed with him, despite some protesting, and they get it on in front of a full size mirror and then move to the bed where he finishes up.

He tells us he tired of her shortly after, and then we move on to his next conquest - he has trouble performing with two women in the room, so he needs to fix that. To girls in Victorian era garb and New Yawk accents enter and undress one another. This scene is so horribly edited that it jumps around a fair bit but eventually they have a goofy three way set to music that sounds like it was lifted from an old cartoon. They get drunk and he proves to have gotten over his problem.

From there, our hero enjoys some wine on his own in a fancy restaurant before going back to work on his diary and complain about his wife. He then tells us about one of the randy chambermaids in his employ who got impregnated by the butler. He talks to her, she says she's not pregnant and that she didn't sleep with the butler. He tells her she's fired but that she should kiss him goodbye, and soon enough he's got her on the couch and they're going at it.

The last encounter begins with our narrator's thoughts on whores and how he had a rendezvous with one named Louise. She was hoping to get a man to take her off the streets until he came along and paid her for sex. They rent a room and he pays her for two hours and they get it on to more weird cartoon music. After he gives her a facial he finishes off his memoirs and tells us how she went off to get married once he was done with her. From there he sells his manuscript to a publisher, the audio skips a bit, and it ends very abruptly.

FLOSSY A VENUS (57m. Elliott March, Vera Melrose):

Although the packaging titles this one as simply Flossy A Venus, the full title is Flossy A Venus Of 15. Some crude animation of a girl growing into a young woman starts things off before the title card and opening credits lead way to even more primitive animation of a couple having sex. Apparently this animation was done by none other than Mr. Art Funn, and the film was directed by Roman Provonovit!

A man, Captain Archer (Elliott March if the credits can be trusted), tells us (through hilariously stoic narration) how he was walking through Hyde Park where he met a 27 year old woman and a 15 year old girl (Vera Melrose who is obviously in her early 20s, thank God) who really struck his fancy. He soon becomes obsessed with the younger girl, named Flossy, and the older girl gives him their address. He heads over there the next day and he and Flossy waste no time getting to know one another in the Biblical sense. After they've done the deed they head outside where she frolics and he watches. After that, Flossy tells us of a lesbian encounter she had (which we see in a flashback) by way of some more stoic narration.

Captain Archer visits her again the next day and Flossy tells him he wants him to make her friend Eva (the 27 year old) as happy as he made her. He obliges and they get it on in an unusually modern looking room for a film that is supposed to be set in the early 1900s. During this scene it's painfully obvious that the good Captain has a pretty boss tattoo of a flying skull on his arm.
After he makes love to Eva, she tells him that there's more to Flossy's lesbian encounter - it seems that while Flossy was away at school she got into the sack with the master of the school while the other girls watched. We see this in flashback as well and the other girls all join in with Flossy and the man.

Later Eva sends for Captain Archer, telling him to bring his admirable prick in its highest state of efficiency with him. When he gets there, he has sex with Flossy who is ready to give herself to him completely. Archer's closing narration finishes things by asking us if what we just saw were real or imagined.

OH! FANNY (55M. Carmel Monterey, Charlotte Holstein, Wilson McGaver):

Disc two finishes off with Oh! Fanny (at least that's what the video generated title that appears here over top of what one could assume was the original title card for purposes of hiding the real name perhaps?), which starts off with more odd animation that looks suspiciously like the work of good old Art Funn (the credits confirm this). Directorial and producing credits are given to one Morton Fishbein - an interesting name (the directorial style and pacing is very, very similar to that shown by Roman Provonovit for whatever that is worth!).

Francis Hill (Carmel Monterey) starts narrating the story, telling us how she was born in Lancashire. She's writing her memoirs and soon tells us of how she moved to London to seek her fortune and how there she took lodging at a house of ill repute, though at the time she wasn't sure what she was being brought there for. She's told to strip in front of the chubby madam who proceeds to get naked herself and introduce her to the world of girl on girl love.

The madam dresses her up then sells her to her first client, an older bearded guy who buys her services for the evening. He jumps her bones as fast as he can and tosses her into the bed to have his way with her only to be interrupted when the madam comes in and stops him. After that she and the madam spy on one of the other girls so that Fanny can learn what she's supposed to do in the house. They watch the couple have sex through a peeky-hole in the wall, and Fanny finally figures out what this is all about.

From there we see Fanny and her first lover get it on, sixty-nine style then all the way before we see her move on to the next customer for more of the same. While this is going on, some jerk is getting rough with one of other girls. He rapes her - though soon she's into it - as Fanny watches them, not sure what to do. From there, Fanny hits the sack and reads for a bit, only to awaken in time for a messenger boy to arrive. She likes what she sees and they get it on but they get busted when a guy walks in on them. She admits to having seduced the messenger boy to anger him, and she's fired. She ends the film by telling us that those adventures will be covered in another letter.

DISC THREE:

EXPLORING YOUNG GIRLS (73m. Vanessa Del Rio, Sharon Mitchell):

One of the few films in this set to feature some truly famous actresses, Exploring Young Girls starts off a title card and a narrator who sits on a couch tells us he's going to talk to four young women about why they do what they do on film. Cut to Vanessa Del Rio giving head, then getting done while down on all fours then missionary style as the disco music pumps away in the background.

Super star Vanessa Del Rio (of too many films to mention but who does adorn the cover of ABA's The Avon Dynasty: The Joe Davian Collection) is interviewed first, she talks about why she likes doing what she does, then we see her having an orgy with some masked perverts. She gets raped and she tells us how they got rough with her. It cuts back and fourth between her interview and her scene, eventually she gets DP'd and she seems to have a good time by the time it all wraps up.

A brunette, Erica Havens, is up next.. She talks about how she used to fuck her brains out when she was younger and we see her get it on with a motorcycle rider who gets really rough with her while a few other guys watch them get it on.

Harietta Hartley, a blonde is up next, she tells her story of how she loves to give head. We see her go down on a guy while he fingers her in a dark room, we never see his face and it's shot POV style.

Sharon Mitchell (of William Lustig's The Violation Of Claudia) tells us about a group fuck she had with a few guys at an orgy who took turns on her in a strange funhouse type setting with lights and carny callers. Back to the unnamed brunette who has plain vanilla sex with a faceless male partner. After that we see Vanessa get examined under a magnifying glass before having sex with a guy. Sharon has a lesbian experience next, and then watches as the other girl goes down on two guys before an orgy breaks out.

From there the blonde uses two toys on herself at the same time in the tub, then the brunette licks some guys feet before having him. Vanessa gets another girl down on all fours and after oiling her up has some fun with her before some guys come in. It's dark and poorly light. Sharon masturbates for a male who watches her and then we see some mild BDSM play. The blonde gets it on with a few guys from a kitchen and the narrator fills us in on some more odd facts as a montage of sex bombards us and sound bites of the interviewees plays over top until finally we see all four of the girls getting it on together with one lucky guy in there for good measure. Music for this one was supplied by Hot Funk Ya'all Inc., David Stitt supposedly directed.

DADDY KNOWS BEST (46m.):

No opening credits or titles here, it starts with a family at the dinner table and the son wants to borrow the car. The print is in horrible shape for the opening few minutes with drop outs and flaring all over the place making it really tough to watch.

From there, the two 'sisters' decide to get it on as music lifted from Richard Harris' McArthur Park plays and the girls share a double ended dong. Dad walks in on them, and he spanks them. We know where this is going early on and a three way breaks out. Later it comes out that he's the girls' step-father, but it's still creepy. The older sister is okay with what happened, the younger is not.

From there, the family has some company over - swinger style! An orgy breaks out in the swanky seventies style pad, with some surfy guitar music playing in the background. Everyone gets it on for the next half hour and then the movie ends. Weird!

ALL IN THE FAMILY (55m.):

The last film on the third disc is All In The Family which opens wit the music from 2001: A Space Odyssey playing over the title cards that tell us the movie stars Saul T. Peter, Aida Pussee and Lagusta Bendova and that the film was produced and directed under the influence of Earnest and Julio!

A lady with blue eye-shadow wakes up, gets dressed and watches a guy with a beard, her brother, Artie, wank in the shower. This lady is our narrator, and she's into some weird shit. She joins him and his fiancé (who is in her underwear) at the breakfast table where they chow down to the soothing sounds of some blues guitar riffing. The brother gets up and leaves, and before you know it the ladies are flirting with one another which soon leads to a lesbian sex session atop an aqua-blue checkered art deco couch. The ladies finish and the sister heads out to hotel room after getting a call. There she meets a girl and a male photographer named Tony. Sister strips for the camera and soon enough the other girl is starting to get excited. The two have sex and soon Tony joins in on the fun. Cue the lounge music and let the very hairy humping begin!

She heads to meet her brother who at home entertaining another couple who lament that Andrea, the fiancé, isn't hanging with them. They get some drinks and the other couple start going at it on the couch. She and Artie start going at it, and an orgy breaks out with each of the guys getting a shot at each of the girls. The other couple splits and she's going down on Artie again, as the saxophone music warbles in the background. The fiancé walks in on them and a three way starts with the sister showing the fiancé how to give head properly. When that's over with, Andrea makes a phone call and off she goes to show the couple who was over the other night that she's not really a prude and to apologize for not taking part in the orgy from earlier. She heads over to their place and bangs the two of them to prove she's the real deal while the Beatles play in the background. Andrea doesn't want to split right after sex but she has no choice as she has a lunch date. The Beatles start playing again and off she goes after putting on her slinky green mini-dress. She meets up with the photographer's assistant, Lois. We know what happens next based on her last scene - time for lesbian love!

After that we see a hand drawn sign that says TWO WEEKS LATER and the entire cast is getting it one with one another on the couch and the floor of the living room to the sounds of some swing jazz. THE END!

DISC FOUR:

EROTIC ADVENTURES OF LOLITA (74m. Ron Jeremy, Terri Stevens, Tammy, Tigr):

The last disc in the set starts off with this film directed and produced by Leon Gucci in 1982. A bad falsetto theme song (John N. Michael is credited with this musical abortion) hits us as a young woman, Lolita (Tammy), gets off of her school bus and we see her walk hand in hand with a slightly older girl (Tigr) through the woods. Cut to the inside of a nearby home where Ralph Harper is getting head form Terri Stevens. These are Tigr's parents and she watches them get it on through the window.

Tigr takes off and goes to feed her best friend in the world, a horse, a yummy carrot. She tells the horse what she saw and tells her how it makes her feel really funny. She lures the horse to the stable and you start to think some laws are going to be broken, but nope, the horse takes off and Tiger keeps talking to herself about these new revelations. Once she's done yapping, she fingers herself while some obviously looped 'ooo ahhh' effects play over top. A local boy (Steve Parks) interrupts her and she gives him head before they have sex. Cue more looped sound effects like 'slurp slurp' and 'oh yeah' over and over again.

From here we see the maid (Louise Parks) yelling at her boyfriend (Ron Jeremy wearing nothing but denim coveralls) for fooling around with thirteen year old Lolita (don't worry, the disclaimer the beginning ensures all performers are legal adults). He defends himself saying he was just playing around, and he shows her that his wang is flaccid so that she'll know he's serious. They get it on in the house as the bad La-La-La-La-La-La-Lolita song plays again as the scene switches over to our heroine alone in her room. She talks about how everyone is mean to her and how boys are jerks as she undresses in front of the mirror and decides to explore herself. She diddles herself, talking about how nice it is, and then it cuts back to Ron and Louise getting down and dirty with more insanely bad slurping effects.

From there, Lolita visits Tigr who tells her how she saw mom and dad do the deed. They talk about the birds and the bees and then they get it on with one another beside a tranquil lake. Lolita comes home and gets into an argument with her parents (Henry Margolis and Copper Penny) after frenching her dad in front of her mom. The parents argue, but soon they have make-up sex in the living room.

In the next scene, Lolita is home alone when a door to door salesman (Ron Hamilton) comes by. He tells her he has some toys to show her after she tells him her parents are not home. Of course, he's got sex toys and he shows her a vibrator that he says is an electric thermometer. He shows her how it works by putting it into her mouth and then into her snatch as she likes a lollipop. They get it on and when he leaves he tells her he'll be back to see her mom soon. The house is a busy place, however, as shortly after an insurance salesman (Ralph Harper) shows up at the door. Lolita is wearing her mother's clothes and make up and he thinks she's the mother and Lolita seduces him. They get it on in the living room and off he goes. When Lolita's parents come home she's drinking wine in her mother's dress. Cut to Tigr's house where we find out that her dad was the insurance guy!

The next day a friend of Lolita's dad (Doug Hamilton) stops by for a visit. Dad's not home so Lolita seduces him too. After they finish getting it on, Lolita tells him he owes her a hundred dollars. He's not upset by this at all as the bad theme song plays one last time and we see the school bus that opened the film driving off. Apparently there is a VHS release of this film that fuzzes any of the dialogue that mentions Lolita's age. This version does not do that.

LITTLE GIRL BLUE (60m.):

The penultimate feature starts off with a man who looks like Rob Reiner but isn't and a woman in bed together listening to Janis Joplin and drinking Miller Highlife (it's the champagne of beers, don't you know). She's working on getting him to improve his oral skills. In the room next door, his daughter, Tina, listens in on their lovemaking and starts to diddle herself with the help of a lovely purple scarf. When the couple finishes, dad walks into the daughters room to check on her. She wakes up, tells him she's okay, and off he goes while more strangely recognizable classic rock plays in the background.

Cut to a sassy black secretary, Becky, passing through a phone call to Roy (the dad). We learn he's just gotten divorced and that his friend has called to hook him up with 'some broads.' Roy invites Becky along and soon they show up at his pals place where he's banging on of the aforementioned broads. An orgy breaks out while Carly Simon sings in the background.

Meanwhile the first girl Roy was banging, his ex-wife, is swearing at someone on the phone and smoking a joint while enjoying yet more Highlife. Roy keeps nailing the secretary, who doesn't look too amused but puts up with him regardless. After that he goes home to his daughter who tells him that one breast is developing differently than the other, at which point she takes off her top and shows him. He says they look okay to him and she heads off to hang out with a blonde football player from high school who looks about forty years old. He shows her the bruises he got from practice and they get it on in his car while Stevie Wonder sings Livin' For The City (The Dirtbombs do a fantastic cover of this, just for the record, it's on their Ultraglide In Black record. Go buy it!).

Meanwhile, back home, Poppa Roy has a new lady friend over to entertain - is she the landlady? She might be, as she asks him for the rent. He's generous enough to give her what looks like one of those free perfume samples they hand out at the department store. She puts it on, and soon he's got her taking it off. The hump to more strangely recognizable seventies rock.

When they're done, he has to split so that he can go home and take care of his daughter. A second later Roy's calling her from his pad and we see another man in her bed. He calls to tell her he can't come over again and she bitches him out for not picking up her dress and he tells her that it's his daughter Tina's birthday. She bitches him out and tells him other men appreciate her more than he ever will, at which point the guy in the bed mumbles 'Right on, baby.'

Tina's forty year old looking football player boyfriend wishes her happy birthday and Tina dumps him (while wearing a boss Evel Kneivel t-shirt). All he ever wants is to hump her in his car, the tool. Tina goes home and has a nap wearing nothing but her birthday suit. Her dad wakes her up, and they talk. He wishes her happy birthday, she tells her she dumped the football guy because he was boring. Roy confesses that he's feeling older and is losing his sex appeal (he's also losing most of his hair) and Tina tells him that he's the sexiest man in the world... and she proves it by smooching him and then they get it on beside the macramé plant-hanger. After they're done the football goof comes back and talks to Tina's mom (Roy's ex) while she's drinking in the bath. It seems that he say Tina and Roy getting it on. She decides to pay him back by giving the football guy a hand job and then they get it on too.

Roy gives Tina a birthday cake and she tells him she wishes they could live happily ever after. They start making out on the couch again, while more Carly Simon plays on the soundtrack and cranky, bitter mom takes pictures through the window. It ends there, no credits are given.

TEENAGE FANTASIES (a.k.a. Rene Bond's Sex Fantasies 55m. Rene Bond, Suzanne Fields):

The final film is a VCX production that features everyone's favorite seventies six kitten, Rene Bond. A goofy text scroll tells us how the advent of sex films and the birth control pill has awoken a new generation of sexual freedom in America that the youth have embraced. From there we learn that this film intends to ask teenagers and older men about their sexual fantasies so that we may be enlightened and entertained in a healthy way.

Rene's up first. She tells us she likes to give head and why, from there we learn more about her technique than anything else as she gives us a demonstration, biting as she goes until she gets what she wants out of it.

The next girl tells us she wants to find someone who will really fall in love with her and treat her well and please her without hurting her. From there we see some schmuck wining and dining her while telling bad jokes. They drink some more, and then they make it like the crazy drunken teens that they are. When they're done, we go back to Rene who is playing with another mystery schlong (we never see the faces of the men she's with in the film), doing what she does best.

Our next contestant is an old man who says he likes to get it on with young girls. From there we see him in the bedroom with a cute little brunette. He says when he "was twenty a sixteen year old girl didn't know which hole to put a prick into, but now, wowee!" He tells her he wants to take it slow, and off they go. This guy is really, really wrinkly to the point of saggniess but she's into it so more power to her.

Our next contestant is a ditzy blonde who talks about how she watched her friend make it with her boyfriend in the same room as her while the lights were on. Through the magic of a filmed flashback we see this, and we learn that she diddled herself while she watched. When the dude finishes, her friend decides to take care of her horny wants and it's time for lesbian love. Soon he's got it going on again though and they all have a three-way. Meanwhile, Rene is giving yet another expert hummer to the mystery penis as she wonders aloud if she'll ever get tired of this.

A young man tells us that he likes girls who get right down to business and come on to him. He's tired of always being the aggressor and he'd like a girl to peruse him - and that's exactly what happens. A cute brunette in black leather boots that would make Nick Phillips take note takes charge of the situation and gives him what he was asking for.

Cut to Rene who deep throats a rather large sized piece of man meat to show us how fast she can take care of it. Cut back to the other couple, we watch them finish, then back to Rene who brings the movie to a close with yet another oral scene in which she uses her hands quite a bit and talks dirty to the camera. The movie ends as Rene is saying something, but we don't know what it is and whether or not there is anything after this remains a mystery for the ages.

Video/Audio/Extras:

If you're familiar with the type of films that Alpha Blue Archives has been putting out in their boxed set collection over the last couple of years, you'll know exactly what to expect. Very little of this material has been properly preserved and a lot of times the only existing source material around to work with is an old tape or a beat up print. That being said, it's no surprise to see that much of this material looks pretty rough. It's all watchable enough, but those expecting pristine, re-mastered material are sure to be disappointed because that's not what these sets are about. Collector's of rare seventies XXX material will no doubt be okay with the presentation but the more discriminating fan could be put off by the video presentation. There are scratches throughout, faded colors here and there and all manner of dirt and debris to note if you're into that sort of thing. Thankfully Alpha Blue Archives have used DVD-9s for this set so there isn't much to complain about as far as compression artifacts go though most, if not all, of the content in this collection is 'bugged' with the ABA logo on the image at some point.

The English language mono soundtracks are just as varied as the quality of the video is on these films. Again, depending on the source you could end up with a relatively clean sounding mix or a messy, hissy track that shows it's VHS source origins. Overall, considering where these films came from source material wise and their low budget origins and oddball release history, they could sound worse. That's not to say that they couldn't sound better, because they obviously could but with a few exceptions here and there you're able to make out the dialogue and the sound effects and the music. Like with the video, this one is graded on a bit of a curve...

Well, you might count the loops as extra features but they've already been reviewed with the feature films themselves up top. Aside from that, each of the four discs has a menu screen that allows you to play any of the films on the disc, but that's it. There's nothing else here in terms of supplements. The menu screens are nicely designed, at least.

The Final Word:

Filled to the brim with sleaze and artificial incest, Alpha Blue Archive's release of Young Lust Volume 1 should please fans of seventies sex cinema who can look past the rough presentation and high price tag to enjoy the camp and the kink for what it is.