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Released by: Shout! Factory
Released on: 9/13/2011
Director: Andrew Fleming/Jean-Claude Lord
Cast: Jennifer Rubin, Richard Lynch/Michael Ironside, Lee Grant
Year: 1988/1982
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The Movies:
A pair of popular eighties horror films previously released on DVD through Anchor Bay find new life as a double feature courtesy of Shout! Factory's new two-disc Killer Double Feature reissue - here's a look at what those two discs contain:
BAD DREAMS (1988):
When the first feature begins, a cult leader named Harris (Richard Lynch) is pouring gasoline all over himself and his followers, about to take them all out in a blaze of glory. A young girl survives but is in a coma. Thirteen years later, this girl, Cynthia (Jennifer Rubin), wakes up. Of course, as she's been essentially out of it for well over a decade the doctors at the hospital figure she should get some psychiatric help, and she does, but soon various people in the support group she's attending at the hospital start getting killed off in increasingly grisly ways. Complicating matters further are the dreams that Cynthia is having, in which she sees these people being murdered.
If that weren't bad enough, it looks like Harris is still around, scowling his way around the hospital out to bring Cynthia back with him - thankfully a dream doctor (Bruce Abbott) is around to help.
Well paced and entertaining enough in its own right, Bad Dreams borrows from Nightmare On Elm Street in a big way (Rubin would go on to appear in Nightmare On Elm Street 3 - The Dream Warriors) what with Harris popping in and out of things the way he does and Cynthia's dreams melding with reality the same way they did for the Elm Street kids in Craven's movie. The Jim Jones/suicide cult angle gives the movie a slightly interesting spin and Lynch is pretty great as the man bad guy here, using his weathered and eerie looking face and imposing screen presence to nice effect. Rubin is sympathetic enough in her part and does fine with the material, while Abbott runs around trying to make sense of everything. Dean Cameron and E.G. Daly also have small supporting roles in the film, solidifying its eighties-ness in a big way.
A few good kills scenes and some fairly tense murder set pieces make this one that eighties slasher fans will no doubt enjoy. If it's not a masterpiece it's at least a fun time killer.
VISITING HOURS (1982):
In Jean-Claude Lord's 1982 slasher (produced with the kind assistance of the Canadian Film Development Corporation!) begins when a television journalist named Deborah Ballin (Lee Grant) delivers a pretty spirited opinion piece on a case involving a wife beater, despite the insistence from her producer (William Shatner) that he may not be able to air it as it's close to slander. Regardless, Deborah stands by her words but is then attacked that same night in her own home by an insane woman hater named Colt Hawker (Michael Ironside). She escapes with her life and is taken to the hospital for treatment, but the cops don't catch Hawker who is still on the loose.
Under the care of a nurse named Sheila (Linda Purl), Deborah seems to be mending just fine but after Hawker beats, bites and abuses a young women he picks up at a diner (Lenore Zann), it becomes obvious he's still got an axe to grind. When he finds his way to the hospital, it starts to look like he's going to finish the job he started.
Although the movie is about fifteen minutes longer than it needs to be, Visiting Hours still manages to carve itself out a spot as an above average slasher thanks to two key factors, this first of which is Ironside's relentless performance. He's a big guy and he uses his size to his advantage here, smashing his way around the movie with fairly convincing he-man status and cutting quite an imposing presence. He's perfectly cast and definitely gives his all, highlighted by a scene in which he doses up on pills, washes them down with booze and then proceeds to smash his arms into broken glass in order to get himself into the hospital he knows Deborah is staying in. The second factor is the hospital itself. Many of us find hospitals unsettling enough without raging psychopaths roaming the halls, and Lord manages to make an otherwise perfectly normal hospital into a fairly claustrophobic setting.
Supporting performances from a surprisingly low key and underused Shatner and a sympathetic Purl help to round out the cast rather well and if the film can't quite ever recapture the intensity of its opening attack sequence (in which Ironside appears out of nowhere wearing Deborah's make up and jewelry!) it's still got its share of grisly kills and tense set pieces.
Video/Audio/Extras:
Both films look very good here in 1.85.1 anamorphic widescreen. Print damage is never an issue and you won't notice anything more than the occasional speck here and there, while color reproduction is strong for both titles. Detail is good, there are no problems with compression artifacts or edge enhancement and skin tones are nice and natural looking.
Bad Dreams gets an English language Dolby Digital 5.1 Surround Sound mix while Visiting Hours gets the stereo treatment. No alternate language options or subtitles are offered but the tracks here sound just fine. No problems with any hiss or distortion or weird level fluctuations, just well balanced and clean sounding audio from start to finish.
The extras for Bad Dreams start off with a commentary, carried over from the previous Anchor Bay DVD, courtesy of the film's writer and director, Andrew Fleming, who has a good sense of humor about what works and what doesn't when it comes to this picture. He's got some great stories to tell about the different cast members involved in this production, about shooting so much inside a hospital, about the use of music in the film and more.
Extras for Visiting Hours are less substantial, limited to a few TV spots (the advertised theatrical trailer is missing), menus and chapter stops.
The Final Word:
Two solid eighties slashers well worth revisiting for fans of the genre are given a top notch presentation from Shout! Factory.
