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Thread: Penelope Spheeris' "Lost" Ozzfest Documentary (Decline IV)

  1. #1

    Penelope Spheeris' "Lost" Ozzfest Documentary (Decline IV)

    https://dangerousminds.net/comments/...on_ozzfest_991

    After releasing the third (and final) installment of The Decline, with its focus on Los Angeles gutter punks of the late-nineties, Spheeris was soon onto a new cultural phenomena, heavy metal in middle America. During the summer of 1999, the Ozzfest roadshow appeared in 26 cities throughout North America, headlined by the original lineup of Black Sabbath—their final “farewell” tour of the nineties reunion (before the next one). On the bill were soon-to-be household names of the burgeoning hard rock and nu-metal scene, including Rob Zombie, Slayer, System of a Down, Primus, Godsmack, and Static-X. And joining them to document the journey was Penelope Spheeris, directing a picture later unknown to many titled: We Sold Our Souls for Rock ’n Roll.

    Envisioned with the same anthropological eye and creative brilliance that executed The Decline, Spheeris left no rock (or roll) unturned on her quest for the cultural core and essence of such a bizarre evolution within the early-internet age. Throughout the film, reckless and inebriated fans are pulled aside, musicians are questioned of their long-term relevance, and anti-satanist picketers are given the opportunity to sound even more insane. Not to mention, there are glimpses of Sabbath jamming backstage, a groupie’s tour of the Slayer tour bus, grotesque sideshow demonstrations, topless bull riding, bonfires, fights with security, and… Buckethead. Remember that scene in The Decline II when Ozzy cooks eggs? Well, in this one, we witness him pissing in the bushes of his Beverly Hills mansion. In just two years, the Osbourne family antics would gain mainstream notoriety, all thanks to MTV.
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  2. #2
    Senior Member Mark Tolch's Avatar
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    What makes the Decline films so good (well, not the third one) is that Spheeris was documenting something that nobody else was. So, even though this is from '99, releasing it now seems pointless with the great metal docs out there.

  3. #3
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    I downloaded this off Cinemageddon about ten years ago, but sadly lost it to a hard drive crash. It was as excellent as you’d hope.

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